Problems of the Italian-Georgian Literary Dialogue

Abstract

The article discusses translation as a cultural and semiotic process that goes beyond mere linguistic transfer and creates a dialogue between two different cultures. The history of Italian-Georgian literary relations has developed in various forms from the Middle Ages to the present: from religious and ecclesiastical contacts, through the indirect influences of Humanism and the Renaissance, followed by parallels with the national movements of the nineteenth century, and culminating in the Soviet period, when translation was ideologically controlled. After the restoration of independence, these relations became more diverse; however, problems still persist in terms of translation quality and the transmission of national color.

The author identifies the main challenges of literary translation: the rendering of stylistic diversity, textual rhythm, intertextual references, and cultural realia. Particularly difficult is the adequate transfer of Italian phraseology, social codes, and irony into Georgian. Successful translation presupposes text-linguistic analysis that takes into account genre, style, discourse, and emotional nuances.

Drawing on personal experience, the author describes the difficulties encountered in translating Italian writers such as Brancati, Calvino, Maraini, Buzzati, and Ammaniti, and outlines the corresponding strategies. She concludes with a recommendation: the establishment of interdisciplinary translation laboratories that would facilitate a fruitful dialogue between cultures and foster human connection.