Color Lexical characteristics of Paolo Iashvili’s work

Abstract

Language is a system. Therefore, it also has its own structure. The discovery of systemic signs in the vocabulary is facilitated by the semantic classification of the lexical fund and, consequently, the study of these separate groups. One of such lexical-semantic components is the vocabulary of colors. Thers and what symbolic blocks it unites in the poetry of the "Blues".The study of color vocabulary is related to the semantics of the word color itself. For example, the descriptive meaning of red is color, but in symbolic terms, red can be a symbol of war, joy or blood.Every writer appeals to characterize the objects with colours. Some writers’ language is rich with colour indicating vocabulary. In the paper the main attention is drown on sensation of color in Paolo Iashvili's creativity.  The aim of the article is colours’ structural-semantic analyze and to gain argumentive materials.

Bluebirds prefer white, black, blue, red, yellow and synonymous units in this group. Contrasting white and black it is light and darkness that are the main philosophical colors of the world; The rest are transitional, intermediate colors.Color artistic analyze has an important part in Paulo Iashvili works. The dominant colors in his works are red and yellow as the indication of “evil” color. Using different colors poet describes comparatively peaceful events. He uses chromatic and achromatic colors.In terms of morphological  structure, it is confirmed as simple-stemmed (white, black, red, green, blue, yellow, gray), formed stem (reddish, bluish, whitish, yellowish…), hard-stemmed (black-white, white-pink, red-green…) Color names and two-component syntagms (light blue, dark blue).The nature and abundance of the use of the color phenomenon depends on the author.. The authors apply either color variation or colors are rarely realixed in their works. Different colors, depending on the context, evoke both positive and negative emotions.Although the content of the color symbols undergoes significant changes, from an interpretive point of view, the core of the color symbolism still remains unchanged. In poetry he deals with so many comprehensive issues his understanding is sometimes different.