Circe’s Song: Path to Self-Awareness and Self-Empowerment in Madeline Miller’s “Circe”

Circe’s Song: Path to Self-Awareness and Self-Empowerment in Madeline Miller’s “Circe”

Authors

  • Mariam Merkviladze International Black Sea University, Tbilisi

DOI:

https://doi.org/10.52340/idw.2025.52

Keywords:

Circe, Mythological reimagining, Female agency, Self-awareness, Self-empowerment

Abstract

Madeline Miller’s Circe is a captivating reimagining of the ancient mythological figure who is best known from Homer’s Odyssey. Unlike the traditional depictions of Circe as an enchantress who tempts and manipulates men, Miller’s novel converts her from a minor sorceress to a powerful symbol of self-awareness and empowerment. In the novel, Circe is illustrated as a multifaceted protagonist on her transforming path of self-awareness and empowerment. The present study looks at how Miller depicts Circe's journey to self-discovery, emphasizing the internal and external struggles that define her character. Miller's use of Circe as a symbol of metamorphosis provides a captivating narrative, making the novel an essential contribution to modern readings of classic heroines. The current paper dives into Circe's journey of self-awareness and discovery, investigating how she goes through a transformation from a marginalized nymph to an autonomous and self-possessed sorceress representing female empowerment and resilience. It contributes to current concerns about feminist mythmaking and the changing role of female characters in literature.

Downloads

Download data is not yet available.

References

Campbell, J. (2008). The Hero with a Thousand Faces (3rd ed.). New World Library; Joseph Campbell Foundation.

Alanka, Ö. (2015). God Hermes as the Messenger Archetype. Journal of Academic Social Science Studies (39), 337-346. doi:http://dx.doi.org/10.9761/JASSS3091

Belenli, P. K. (2024). An Island of One’s Own: Home and Self-Fulfilment in Madeline Miller’s Circe. Gaziantep University Journal of Social Sciences, 23(2), 527 - 541. Retrieved from https://doi.org/10.21547/jss.1345559

Blum-Sorensen, J. (2023). The Future is Female: Circe, Augustus, and the Prehistory of Rome. Classical World, 17(1), 17- 48. Retrieved from https://dx.doi.org/10.1353/clw.2023.a912762

Etiz, T. (2023). The Laugh of Circe: An Ecriture Feminine Journey to the Madeline Miller’s Retelling. Eurasian Journal of English Language and Literature, 5(2), 40-49. Retrieved from https://dergipark.org.tr/en/pub/jell

FitzGibbon, B. (2022). Relationality Reimagined: Madeline Miller’s Circe As Revisionist Myth. Western Tributaries, 7, 1-9.

Franklin, M. (2023, May 18). Transforming Circe: Latin Influences on the Depiction of a Sorceress in Renaissance Cassone Narratives. Arts, 12(105), 1-14. Retrieved from https://doi.org/10.3390/

Gabriel, B. (2020, December). Exploring Campbell hero’s journey in the light of two selected epic poems: Beowulf and The Mwindo epic. International Journal of English Literature and Social Sciences, 5(6), 1808-1817. doi:10.22161/ijels.56.3

Hartman, D., & Zimberoff, D. (2009). The Hero's Journey of Self-transformation: Models of Higher Development from Mythology. Journal of Heart-Centered Therapies, 12(2), 3-93. doi: 425-391-9716

Lavach, H. (2020). The Evolution of Hermes His Influences and Appearance from the Archaic to Classical Periods. Student Research Submissions(333), 1-50. Retrieved from https://scholar.umw.edu/student_research

Liang, M. (2017, September). The Making of Odysseus the Hero in Homer’s Odyssey. International Journal of Applied Linguistics & English Literature, 6(7), 42-48. Retrieved from https://doi.org/10.7575/aiac.ijalel.v.6n.7p.42

London, M., Sessa, V., & Shelley, L. (2022). Developing Self-Awareness: Learning Processes for Self- and Interpersonal Growth . Annual Review of Organizational Psychology and Organizational Behavior, 10(1), 260-290. doi:10.1146/annurev-orgpsych-120920-044531

Macmillan, C. (2019). The Witch(ES) of Aiaia: Gender, Immortality and the Chronotope in Madeline Miller’s Circe. Gender Studies, 18(1), 27-38. doi:10.2478/genst-2020-0002

Miller, M. (2018). Circe. New York: Bloomsbury Publishing PLC.

Patsalidis, S. (2011, December). Looking Back to Greece: Exiles in the Ancient World. Critical Stages The IATC Webjournal(5), 1-6.

Pavel, T. (1998). Exile as Romance and as Tragedy. In S. R. Suleiman, & S. R. Suleiman (Ed.), Exile and Creativity: Signposts, Travelers, Outsiders, Backward Glances, (pp. 25-36). New York: Duke University Press. doi:doi.org/10.1515/9780822379829-003

Plumwood, V. (1993). Feminism and Mastery of Nature. (T. Brennan, Ed.) London: Routledge.

Qasim, A. R., & Rahayu, A. C. (2021). Patriarchal culture in Madeline Miller’s Circe. Proceedings of Undergraduate Conference on Literature, Linguistic, and Cultural Studies (UNCOLLCS) (pp. 226-232). Semarang: Semarang: Bem Fakultas Ilmu Budaya Universitas Dian Nuswantoro.

Rivers, A. (2022, February). Circe’s Garden: Rewriting Epic and Revolutionary Time. Comparative Critical Studies , 19(1), 7-26.

Rojas, M. S., Nuñez, J. A., & Erices, G. N. (2015, May 27). Philosophical and Psychopathological Perspective of Exile: On Time and Space Experience. Frontiers in Psychiatry, 7(78), 1-4. doi:10.3389/fpsyt.2015.00078

Rufo, K. M. (2016, November). Circe’s Understanding of Rape Victims in Ovid’s Metamorphoses. New England Classical Journal, 43(4), 203-240. Retrieved from https://crossworks.holycross.edu/necj/vol43/iss4/3

Sarwar, R., & Fatima, S. (2022, July). Madeline Miller’s Circe: A Feminist Stylistic Approach. Perennial Journal of History (PJH), 3(2), 337-359. Retrieved from https://doi.org/10.52700/pjh.v3i2.128

Stucky, E. (2022). Cultural and Personal Inheritance: Generational Trauma in Madeline Miller's Circe. The Cardinal Edge, 2(1), 19-24. Retrieved from https://ir.library.louisville.edu/tce/vol2/iss1/5

Sunny, S., & Narayana, S. (2024, May 4). Reimagining Circe: Subversion of Patriarchal Mythic Patterns in Louise Gluck’s Circe’s Power. Literary Voice, 2(1), 67-76. Retrieved from https://doi.org/10.59136/lv.2024.2.1.8

Swartzentruber, A. (2023). AChoice to Make: The Portrayal of Female Characters' Agency and Emotion in Madeline Miller's Circe and Anaïs Mitchell’s Hadestown . English Senior Papers(24), 1-49. Retrieved from https://pillars.taylor.edu/english-student/24/

Thomas, M. (2021). “I Will Not Be Silenced”: Voice and Autonomy in Madeline Miller's Circe. The Macksey Journal, 2(7), 1-25.

Vaitiekūnaitė, J. (2022). Bewitched: Form and Female Agency in Madeline Miller’s “Circe”. Vilnius: Vilnius University Press.

Volpato, M. (2022). Columbia Journal of Literary Criticism. Retrieved from CJLC: https://c-j-l-c.org/portfolio/playing-with-fire/

Webster, A. D. (1893). Circe. In A. D. Webster, Portraits (pp. 14-23). London: Macmillan and Co.

Wilder, U. M. (2021, April 6). Odysseus, the Archetypal Spy. International Journal of Intelligence and CounterIntelligence, 34(4), 799-815. Retrieved from https://doi.org/10.1080/08850607.2020.1847517

Yarnall, J. (1989). The Transformations of Circe: The History of an Archetypal Character. Montreal: McGill University Press.

Zalewska-Jura, H. (2018, September). Circe and Rome. The Origin of the Legend. Studia Ceranea Journal of the Waldemar Ceran Research Centre for the History and Culture of the Mediterranean Area and South-East Europe, 8(8), 77–87. doi:10.18778/2084-140X.08.04

Downloads

Published

2025-10-10

How to Cite

Merkviladze, M. (2025). Circe’s Song: Path to Self-Awareness and Self-Empowerment in Madeline Miller’s “Circe”. "Intercultural Dialogues" Transactions, 8, 376–383. https://doi.org/10.52340/idw.2025.52

Issue

Section

LITERATURE AND LITERARY THEORY
Loading...